HLT is the Halferty / Lavergne Trio, founded in 1987.
Jard sur Mer, is a small seaside village 80kms north of La Rochelle on the French Atlantic Coast. With its pine forests, endless golden sands, fishing ports, its where Irish guitarist Tommy Halferty had a fortuitous encounter. In 1987 he discovered the two Lavergne brothers; organist Jean-Philippe and drummer Christophe, natives of the holiday village, that led to the formation of a jazz trio that still performs today. HLT have forged a distinctive trademark European Jazz sound with power and burning intensity, totally revitalising the organ trio concept. And it all started by chance in a little French seaside resort called Jard sur Mer.
Tommy Halferty, one of Ireland's finest guitarists, leads three French musicians in a successful marriage of jazz and folk. Irish songs such as My Lagan Love, Raggle Taggle Gypsies and The Bold Fenian Men get a new lease of life, with arrangements by Michel Zenino.
This is Tommy Halferty’s latest solo album to be released very soon. You can preview this album by listening to the sample tracks below. A review of this album will be added soon.
There is currently no information available for the album "Tommy Halferty Trio Live at the Wellington 2006", please check back soon for updates.
This fine trio – with Halferty on guitar, Ronan Guilfoyle on bass and Keith Copeland on drums – has recorded a string of albums under the drummers name. Now Halferty assumes the leader’s mantle but sticks with the approach that has made this trio so strong – muscular, intensely swinging music that marries Copeland’s superhuman groove to Halferty’s joyously expensive guitar playing bound together with total assurance by Guilfoyle. There are bravau performances from all three, but from Halferty particularly with guitar playing that puts him among the elite. Sunday Tribune May 04
Improvised Music Company - IMCD 1018
This performance brings together some of Ireland's leading jazz and traditional musicians with these Indian masters, forging a dynamic language that transcends language and borders. Drawing on the melodic strength of Irish music, the rhythmic character of its Indian counterpart and embracing the improvisational instinct of jazz, this proves to be an exhilarating musical dialogue, climaxing in a performance of 5 Cities, a collaborative piece written by the musicians while on tour in India.
Read more: Khanda with the Karnataka College of Percussion "5 Cities" – 2003